 |
 PROFESSIONAL 4 4 GAMA Left Handed ANTIQUED VIOLIN CODE B5821 $788.00 Time Remaining: 29d 1h 27m Buy It Now for only: $788.00 Buy It Now |
 Fine Professional 4 4 Gama Antiqued VIOLIN CODE B5673 $708.00 Time Remaining: 9d 2h 25m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 4 4 GAMA ANTIQUED VIOLIN From Violinslover CODE B5676 $708.00 Time Remaining: 14d 2h 30m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 175 GAMA Antiqued Viola CODE A9767 $868.00 Time Remaining: 18d 1h 44m Buy It Now for only: $868.00 Buy It Now |
 PROFESSIONAL 4 4 GAMA ANTIQUED VIOLIN CODE B5585 $708.00 Time Remaining: 1d 1h 57m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 155 GAMA ANTIQUED VIOLA CODE B3345 $768.00 Time Remaining: 14d 2h 57m Buy It Now for only: $768.00 Buy It Now |
 FINE 155 Professional Gama ANTIQUED VIOLA CODE B4126 $768.00 Time Remaining: 15d 1h 29m Buy It Now for only: $768.00 Buy It Now |
 FINE PROFESSIONAL 1 16 GAMA ANTIQUED VIOLIN CODE B4478 $408.00 Time Remaining: 4d 1h 27m Buy It Now for only: $408.00 Buy It Now |
 Child Size 1 8 GAMA ANTIQUED ONE Piece Back VIOLIN CODE B4433 $588.00 Time Remaining: 18d 2h 42m Buy It Now for only: $588.00 Buy It Now |
 PROFESSIONAL 4 4 GAMA ANTIQUED VIOLIN CODE B5516 $708.00 Time Remaining: 8d 2h 29m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 4 4 GAMA ANTIQUED VIOLIN CODE B5671 $708.00 Time Remaining: 28d 3h 4m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 1 10 GAMA ANTIQUED VIOLIN CODE B0836 $450.00 Time Remaining: 19d 2h 42m Buy It Now for only: $450.00 Buy It Now |
 FINE PROFESSIONAL 155 GAMA ANTIQUED VIOLA CODE B5324 $768.00 Time Remaining: 7d 1h 28m Buy It Now for only: $768.00 Buy It Now |
 PROFESSIONAL 1 16 CHILD SIZE GAMA ANTIQUED VIOLIN CODE B4479 $408.00 Time Remaining: 6d 3h 4m Buy It Now for only: $408.00 Buy It Now |
 FINE 4 4 PROFESSIONAL GAMA ANTIQUED CELLO CODE B0507 $2,233.00 Time Remaining: 6d 57m Buy It Now for only: $2,233.00 Buy It Now |
 PROFESSIONAL 175 GAMA ANTIQUED VIOLA CODE A7937 $868.00 Time Remaining: 3d 56m Buy It Now for only: $868.00 Buy It Now |
 PROFESSIONAL 16 GAMA ANTIQUED VIOLA CODE B2130 $798.00 Time Remaining: 23d 1h 15m Buy It Now for only: $798.00 Buy It Now |
 PROFESSIONAL 1 10 CHILD GAMA ANTIQUED VIOLIN CODEB4386 $408.00 Time Remaining: 14d 3h 30m Buy It Now for only: $408.00 Buy It Now |
 PROFESSIONAL 1 2 GAMA ANTIQUED FLAMED VIOLIN CODE B4044 $558.00 Time Remaining: 22d 3h 27m Buy It Now for only: $558.00 Buy It Now |
 FINE PROFESSIONAL 3 4 GAMA ANTIQUED CELLO CODE B3626 $1,923.00 Time Remaining: 22d 1h 32m Buy It Now for only: $1,923.00 Buy It Now |
 PROFESSIONAL 155 GAMA ANTIQUED VIOLA CODE B1487 $768.00 Time Remaining: 27d 1h 58m Buy It Now for only: $768.00 Buy It Now |
 PROFESSIONAL 165 GAMA ANTIQUED VIOLA CODE B0160 $798.00 Time Remaining: 28d 1h 27m Buy It Now for only: $798.00 Buy It Now |
 FINE PROFESSIONAL 16 GAMA ANTIQUED VIOLA CODE B4309 $798.00 Time Remaining: 16d 58m Buy It Now for only: $798.00 Buy It Now |
 Fine Quality 16 GAMA ANTIQUED VIOLA FROM VIOLINSLOVER CODE B4095 $798.00 Time Remaining: 8d 2h 41m Buy It Now for only: $798.00 Buy It Now |
 FINE PROFESSIONAL 14 GAMA ANTIQUED VIOLA CODE B4053 $708.00 Time Remaining: 12d 31m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 3 4 GAMA ANTIQUED VIOLIN CODE B4051 $618.00 Time Remaining: 26d 2h 11m Buy It Now for only: $618.00 Buy It Now |
 FINE 1 2 CHILD GAMA ANTIQUED Violin Stradivari MODEL CODE B4047 $558.00 Time Remaining: 26d 2h 32m Buy It Now for only: $558.00 Buy It Now |
 FINE PROFESSIONAL 16 GAMA ANTIQUED VIOLA CODE B3969 $798.00 Time Remaining: 14d 1h 55m Buy It Now for only: $798.00 Buy It Now |
 FINE 1 2 PROFESSIONAL GAMA ANTIQUED CELLO CODE A9019 $1,683.00 Time Remaining: 15d 2h 9m Buy It Now for only: $1,683.00 Buy It Now |
 PROFESSIONAL 16 GAMA ANTIQUED VIOLA CODE A8825 $798.00 Time Remaining: 21d 25m Buy It Now for only: $798.00 Buy It Now |
 PROFESSIONAL 4 4 GAMA ANTIQUED VIOLIN CODE B0276 $708.00 Time Remaining: 3d 1h 28m Buy It Now for only: $708.00 Buy It Now |
 NEW FLAMED 17 PROFESSIONAL GAMA ANTIQUED VIOLA CODE B0760 $848.00 Time Remaining: 18d 29m Buy It Now for only: $848.00 Buy It Now |
 FINE PROFESSIONAL 16 GAMA ANTIQUED VIOLA CODE B4096 $798.00 Time Remaining: 28d 2h 32m Buy It Now for only: $798.00 Buy It Now |
 FINE PROFESSIONAL 15 GAMA ANTIQUED VIOLA CODE B0775 $768.00 Time Remaining: 29d 57m Buy It Now for only: $768.00 Buy It Now |
 PROFESSIONAL 1 4 GAMA ANTIQUED VIOLIN CODE B2807 $528.00 Time Remaining: 7d 1h 59m Buy It Now for only: $528.00 Buy It Now |
 PROFESSIONAL 1 2 CHILD GAMA ANTIQUED VIOLIN CODE B2805 $558.00 Time Remaining: 13d 32m Buy It Now for only: $558.00 Buy It Now |
 ANTIQUED 13 GAMA One Piece Back Viola CODE 5915 $958.00 Time Remaining: 16d 43m Buy It Now for only: $958.00 Buy It Now |
 FINE PROFESSIONAL 13 GAMA ANTIQUED VIOLA CODE 8015 $668.00 Time Remaining: 17d 55m Buy It Now for only: $668.00 Buy It Now |
 FINE 12 PROFESSIONAL GAMA ANTIQUED VIOLA CODE 8011 $618.00 Time Remaining: 2d 1h 49m Buy It Now for only: $618.00 Buy It Now |
 FLAMED 165 GAMA ANTIQUED VIOLA CODE B0298 $798.00 Time Remaining: 12d 2h 56m Buy It Now for only: $798.00 Buy It Now |
 PROFESSIONAL 175 GAMA ANTIQUED VIOLA CODE B2126 $868.00 Time Remaining: 17d 2h 12m Buy It Now for only: $868.00 Buy It Now |
 FINE PROFESSIONAL 13 GAMA ANTIQUED VIOLA CODE 7829 $668.00 Time Remaining: 21d 43m Buy It Now for only: $668.00 Buy It Now |
 ANTIQUED 16PROFESSIONAL GAMA VIOLA CODEB3970 $798.00 Time Remaining: 13d 59m Buy It Now for only: $798.00 Buy It Now |
 ANTIQUED 4 4 GAMA ONE PIECE Back Violin CODE B1037 $1,028.00 Time Remaining: 9d 1h 56m Buy It Now for only: $1,028.00 Buy It Now |
 FINE 12 GAMA ANTIQUED VIOLA Instrument Code B0827 $618.00 Time Remaining: 1h 27m Buy It Now for only: $618.00 Buy It Now |
 FINE PROFESSIONAL 15 GAMA ANTIQUED VIOLA CODE A7934 $768.00 Time Remaining: 10d 1h 42m Buy It Now for only: $768.00 Buy It Now |
 FINE PROFESSIONAL 1 4 CHILD GAMA ANTIQUED VIOLIN CODE B5263 $528.00 Time Remaining: 10d 8h 15m Buy It Now for only: $528.00 Buy It Now |
 PROFESSIONAL 1 4 CHILD GAMA ANTIQUED FLAMED VIOLIN CODE B5264 $528.00 Time Remaining: 12d 2h 29m Buy It Now for only: $528.00 Buy It Now |
 FINE PROFESSIONAL 13 GAMA ANTIQUED VIOLA CODE B1703 $668.00 Time Remaining: 19d 39m Buy It Now for only: $668.00 Buy It Now |
 FINE PROFESSIONAL 12 GAMA ANTIQUED VIOLA CODE B0825 $618.00 Time Remaining: 22d 1h 41m Buy It Now for only: $618.00 Buy It Now |
 FINE 1 4 CHILD PROFESSIONAL GAMA ANTIQUED VIOLIN CODE B5573 $528.00 Time Remaining: 26d 41m Buy It Now for only: $528.00 Buy It Now |
 FINE PROFESSIONAL 12 GAMA ANTIQUED VIOLA CODE A5593 $618.00 Time Remaining: 26d 1h 43m Buy It Now for only: $618.00 Buy It Now |
 ANTIQUED PROFESSIONAL 13 GAMA VIOLA CODE B1702 $668.00 Time Remaining: 17d 57m Buy It Now for only: $668.00 Buy It Now |
 PROFESSIONAL 14 GAMA ANTIQUED VIOLA CODE B1104 $708.00 Time Remaining: 15d 1h 34m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 1 8 GAMA FLAMED ANTIQUED CELLO CODE A8241 $1,378.00 Time Remaining: 27d 2h 43m Buy It Now for only: $1,378.00 Buy It Now |
 LOVELY 1 8 CHILD GAMA ANTIQUED ONE PIECE BACK VIOLIN CODE B4432 $588.00 Time Remaining: 2d 2h 18m Buy It Now for only: $588.00 Buy It Now |
 PROFESSIONAL 165 GAMA ANTIQUED VIOLA CODE B3937 $798.00 Time Remaining: 1d 1h 43m Buy It Now for only: $798.00 Buy It Now |
 PROFESSIONAL 165 GAMA ANTIQUED VIOLA CODE A4789 $798.00 Time Remaining: 15d 1h 32m Buy It Now for only: $798.00 Buy It Now |
 PROFESSIONAL 15 GAMA FLAMED ANTIQUED VIOLA CODE B3344 $768.00 Time Remaining: 22d 2h 59m Buy It Now for only: $768.00 Buy It Now |
 PROFESSIONAL 1 4 GAMA FLAMED ANTIQUED CELLO CODE B2758 $1,453.00 Time Remaining: 4d 1h 54m Buy It Now for only: $1,453.00 Buy It Now |
 FINE PROFESSIONAL 17 GAMA ANTIQUED VIOLA CODE B1771 $848.00 Time Remaining: 1d 2h 17m Buy It Now for only: $848.00 Buy It Now |
 FINE PROFESSIONAL 13 GAMA ANTIQUED VIOLA CODE B1563 $668.00 Time Remaining: 16d 1h 56m Buy It Now for only: $668.00 Buy It Now |
 FINE PROFESSIONAL 1 16 CHILD GAMA ANTIQUED VIOLIN CODE B4480 $408.00 Time Remaining: 19d 57m Buy It Now for only: $408.00 Buy It Now |
 NEW 165 PROFESSIONAL GAMA ANTIQUED VIOLA CODE B3944 $798.00 Time Remaining: 24d 1h 35m Buy It Now for only: $798.00 Buy It Now |
 FINE PROFESSIONAL 14 GAMA ANTIQUED VIOLA CODE B3163 $708.00 Time Remaining: 27d 1h 58m Buy It Now for only: $708.00 Buy It Now |
 ANTIQUED PROFESSIONAL 3 4 GAMA VIOLIN CODE B2779 $618.00 Time Remaining: 12d 1h 31m Buy It Now for only: $618.00 Buy It Now |
 FINE PROFESSIONAL 15 GAMA ANTIQUED VIOLA CODE B2306 $768.00 Time Remaining: 25d 1h 48m Buy It Now for only: $768.00 Buy It Now |
 FINE PROFESSIONAL 15 GAMA ANTIQUED VIOLA CODE A4999 $768.00 Time Remaining: 28d 1h 33m Buy It Now for only: $768.00 Buy It Now |
 PROFESSIONAL 14 GAMA FLAMED ANTIQUED VIOLA CODE B3164 $708.00 Time Remaining: 1h 27m Buy It Now for only: $708.00 Buy It Now |
 PROFESSIONAL 12 GAMA FLAMED ANTIQUED VIOLA CODE 7906 $618.00 Time Remaining: 6d 1h 11m Buy It Now for only: $618.00 Buy It Now |
 PROFESSIONAL 14 GAMA FLAMED ANTIQUED VIOLA CODE B4057 $708.00 Time Remaining: 13d 1h 2m Buy It Now for only: $708.00 Buy It Now |
 FINE 1 32 CHILD GAMA SUPER ANTIQUED VIOLIN CODE 7957 $538.00 Time Remaining: 26d 1h 30m Buy It Now for only: $538.00 Buy It Now |
 ANTIQUED 1 8 GAMA ONE PIECE BACK VIOLIN CODE B0758 $588.00 Time Remaining: 3d 57m Buy It Now for only: $588.00 Buy It Now |
 ANTIQUED 1 2 GAMA ONE PIECE BACK VIOLIN CODE B3556 $798.00 Time Remaining: 25d 2h Buy It Now for only: $798.00 Buy It Now |
 FINE ANTIQUED 1 2 PROFESSIONAL GAMA VIOLIN CODE B4049 $558.00 Time Remaining: 4d 1h 31m Buy It Now for only: $558.00 Buy It Now |
How the Diamond Was Chiseled
Believe it or not in the olden days diamonds were considered too precious to cut. It was believed that cutting and polishing a diamond rough would rob of its great supernatural powers. The diamond was considered as a prestigious gemstone and only kings and rulers were allowed to posses them, but even they were not allowed to tamper with its original form.
It is interesting to know that India was the only source of diamonds, way back in fourth century BC and it was only after Alexander the Great's conquests that the diamond was introduced to the West after limited trade began between the East and the West. The diamonds were not considered to be as precious and expensive as rubies or sapphires even at this time.
Gem cutters started applying their skills on the diamond only in the 1300's. By this time the trade had opened up between India and other trading centers like Venice and the Europe saw its first cut and polished diamond around 1380AD. With the trade various methods of polishing and cutting the diamond were also shared between the countries. However, travel between the East and West was still not easy and the journey was arduous and took a long time. It was only when Vasco da Gama traveled from the Cape of Good Hope to India by sea that trade routes opened up further as the pains of transportation reduced. Within months of the discovery of this route cities like Bruges, Antwerp, Amsterdam and Venice started seeing large number of diamonds from India in their markets. Roughs from India were transported to these cities that fed Europe's unending hunger for the gem.
The diamond cutting of these times was far less sophisticated as compared to the brilliance that we see today. This is obvious when one observes antique jewelry and antique settings. Many of these simple cuts were later adapted to the more modern cuts over time and records of the methods used can only be obtained from paintings, diaries and catalogs.
The journey of the diamond cutting industry, as we know today, starts with the point cut and ends at fancy brilliant cuts. The point cut was the first cut that we are aware of today and it was the most popular cut in the fifteenth century. The cut mimicked the rough octahedral shape of the natural diamond and this was accomplished by the use of stationary polishing surfaces covered with diamond grit and olive oil. To minimize the heat generated due to the friction required in the process, olive oil was used.
In the late 1400's the table cutting style made its appearance. The top part of the natural octahedral shape was cut using the same tools present earlier 'a stationary cutting surface with diamond grit and olive oil. The end result was that of a polished square facet that looked like a tabletop. Some cutters removed the lower part of the octahedral shape to give it a square shape called the culet. When viewed from the top angle the table cut looked like a square within a square. Since the table top cut improved the reflective index and resulted in higher brilliance and fire, this proportionate cut found a lot of appeal among consumers during the Renaissance period. This cut ruled the diamond industry for the next couple of centuries and there were numerous variations like rectangles, tapered shapes and lozenges.
After a couple of centuries of the table cut rule, the rose cut made its appearance and continued to dominate the scene till the nineteenth century. This cut was not conceptualized for octahedral diamonds but a cut that aided in producing the largest cut diamonds from flattened roughs. The rose cut has flat bottoms and triangular facets that become a point towards the top. Though the cut gives a high level of brilliance, the fire that this cut allows is not too high. Creative cutters have created variations of this cut too and we have the double rose and the briolette.
The seventieth century saw different kind of cuts coming onto the market. The seeds of the modern brilliant cut were sown when miners found some crystals in the river gravel in Minas Gerais in Brazil. Initially the miners did not realize that the crystals that they were using to keep score in card games were actually diamonds. It was only after someone familiar with diamonds pointed it out to them that they became aware of the value of their find.
With resources drying up in India, this deposit was very welcome and Brazil became the key source of rough diamond for the diamond cutters in Europe. Diamonds from Brazil were used to create the first brilliant cuts and thus was born the old mine cut, a cushion shaped cut with a deep pavilion, high crown and large culet. Even though the number of facets in the old mine cut are similar to the modern brilliant cut, this first cut did not give as much brilliance since the pavilion was deeper.
The modern brilliant cut came onto the scene after more than 500 years of experimentation. This cut was the first cut that brought out the true brilliance of the diamond that it is capable of. A round brilliance has a round girdle outline, symmetric triangular and kite-shaped facets. The table is more than 50% of the girdle diameter and a culet that is hardly noticeable.
The earliest of the modern brilliant cut can be traced back to the 1800's. The cutting establishment rejected the cutting style discovered by Henry Morse from Boston earlier, and stuck to the old mine cuts and European cuts. It was only in 1919 when Marcel Tolkowsky published these cuts did they become popular. Though many cutters who worked on large high quality roughs adopted Tolkowsky's suggestions, there were others that used variations of this for the smaller diamonds intending to gain the maximum weight of the diamond from the rough. Other variations also made an appearance and thus were born shapes like marquise, cushion, pear and oval.
The contemporary cuts allow for higher levels of artistic flair and the roughs can be cut and polished based on minimum loss due to cutting and polishing. With the popularization of the brilliant cut, many fancy brilliant cuts started coming into the picture. It was the success of the round brilliant encouraged cutters to try out other shapes along with the brilliant cut. The triangular brilliant, 'Trillion', developed by Leon Finker in the 1960's became so popular that any people started referring to any triangular brilliant as the 'Trillion'. Milton and Irving Meyer were marketing their own version at this time and they called it the 'Trilliant' and registered the name. The phrase 'trillion' had become so generic in nature that they changed the name later to Trielle in 1992.
Other brilliant cut shapes like rectangle and square brilliants were also produced. The first rectangular brilliant cut was patented by Henry Grossbard and the same was called as 'Radiant'. The use of this cut resulted in a loss of 40% of the rough as compared to the 50% lost in the case of a round brilliant. Other brilliant cuts like the square brilliant also came on the scene. Ambar Diamonds, Inc. developed and patented a brilliant square cut called the Quadrillion.
Fancy brilliant cuts allow for minimum loss in a rough diamond. They are also very useful in manipulating and perfecting the color of the diamond when seen from the face up. These days the diamond cutting industry makes the use of modern computer software and technology to develop new cuts that can optimize the size of the diamond. The round brilliant has been perfected further with the use of technology that can standardize the production process to create symmetrical, proportionate and proprietary diamond cuts.
Some marketers and manufacturers tried to promote what they called the 'ideal cut' in the 1990's. This was marketed as the cut that was ideal for a specific diamond to provide minimum loss, maximum brilliance and fire. Though the concept was welcomed by researchers of the diamond cut industry, there was no proof that the 'ideal cut' was really ideal. The technology allows the customer to see the various cuts and how each one compares to the other. However, diamond critics claim that there is more to a diamond than the cut alone and that there may not be one ideal cut that fits all.
Even though history has seen various cuts that have come and gone and technological and creative expertise in this field, there is no doubt about the fact that what really matter in the end is the perceived beauty of the diamond by the buyer, the wearer and the onlookers!
About the Author
Mithun Rao holds a professional degree in gemology and jewelry design from Mumbai and has spent more than 10 years in the industry. He manages his own jewel store and takes out the free time to write and maintain his site on gemstone information and diamond industry.
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